I needed a real, tactile matter, which did not pretend to be anything else. I was looking for a warm element, both visually and to the touch."

Working side by side, always taking part into the creative and production process, being able to also enjoy it."

I set out to represent worlds that have no connection to each other except for their estrangement. My goal was to explore the edges of what I know and give shape to what I had yet to discover."

Jali can be placed in many different ways: both vertically and horizontally, in line or in staggered positions, creating dynamic filters, architectural elements as well as real furniture."

With Kosei, I wanted to go deeper into the history of patterns linked to the world of architecture."

Mater is made of technology, experimentation, craftsmanship to the eye and to the touch."

We aimed to capture the natural tones and variations in the light and shade that are present in our surroundings, the landscape of London."

My intention is not to manipulate the appearance of nature, but to create a design which stirs one's heart and imagination and remains deep in one's memory.

Pico is notoriously one of the most satisfying project for us. When museums invite us to create a restrospective exhibition, this collection always has a dominant position."

Punto presents a really bold pattern that finds its maximum expression when used on large walls. Light plays a central role when it meets the elevated and sunken dots on the surface of the elements."